Peter Beard HC TASCHEN – Very Good
VERY GOOD –Book is in Very Good condition with some shelf wear, light loss of gloss, etc but no major issues like creases, missing pages, water damage, ripped cover, etc. Book likely has a remainder mark.
Creators: Owen Edwards, Steven M. L. Aronson, Peter Beard (Illustrated by), David Fahey (Edited by), Nejma Beard (Edited by)
Publisher: TASCHEN
ISBN: 9783836577427
Binding: Hardcover
Pages: 770 pages
On Sale Date: 4/21/2020
Dimensions: 15.5 in H | 11.1 in W | 2.6 in T | 12.1 lb Wt
Pioneering contemporary artist Peter Beard turned his life in New York and on the African continent into a Gesamtkunstwerk; a collage of photography, ecology, and diary writing. The original limited edition may have instantly sold out, but the book is now back to present the artists unique world, a realm of art, science, and beauty.
Artist, diarist, collector, and writer Peter Beard (1938-2020) fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He collaborated with Francis Bacon and Salvador Dal, he made diaries with Andy Warhol, worked on books with scientists like Dr. Norman Borlaug, Dr. Richard Laws, and Alistair Graham, and toured with Truman Capote, Terry Southern, and the Rolling Stonesall of whom are brought to life, literally and figuratively, in his work. He delved into the world of fashion for its beautiful women, taking Vogue stars like Veruschka to Africa and bringing new ones back to the U.S. with him.
After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought 50 acres next to her farm with the stipulation that he would film and write about the land and its flora and fauna. He witnessed the dawn of Kenyas population explosion, which challenged finite resources and stressed animal populationsincluding the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he sawwith diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works, including The End of the Game. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard used his photographs as a canvas onto which he superimposed multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings, and often swaths of animal blood used as paint.
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